What's Welsh for Performance? - An Oral History of Performance
Art in Wales (1968-2008)
Transcript summaries
Conversation 1: Ivor
Davies (12 October 2006, Cardiff School of Art and Design)
... in conversation about his performance work
in the 1960s, the Destruction in Art Symposium in 1966 and
his involvement with the Beca group
Conversation 2: Shirley
Cameron & Roland Miller (23 November 2006, Cardiff School
of Art and Design)
...in conversation about performance at the legendary
Barry Summer School and their joint performance work in Wales
in the 1970s
Conversation 3: Timothy
Emlyn Jones, John Chris Jones and Andrew Knight (22 February
2007, Cardiff School of Art and Design)
...in conversation about the international
performance programme at the National Eisteddfod 1977
Conversation 4: Anthony
Howell (15 March 2007, Cardiff School of Art and Design)
...in conversation about his work, Cardiff's performance
scene in the 1990s and his involvement in Grey Suit and Cardiff
Art in Time
Conversation 5: Janek
Alexander, Geoff Moore & Mike Pearson (18 October 2007,
Cardiff School of Art and Design)
...in conversation about Cardiff's performance and
alternative theatre scene in the 1970s and their involvement in
Chapter Arts Centre
Conversation 6: Richard
Gough (22 November 2007, The Foundry Aberystwyth)
...in conversation about alternative approaches
to teaching, archiving and publishing performance and on the role
of internationalism for performance art in Wales.
Conversation 7: Phil
Babot, André Stitt, Simon Whitehead (24 January 2008,
Cardiff School of Art and Design)
...in conversation about the contemporary performance
art scene in Wales, the role of artist-run spaces and networks and
the significance of place in performance
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