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FUTURE PRESENTATIONS: participation in Conserving and Archiving Ephemeral Artworks, University of Bristol 25 June 2008; panel and paper presentation at INTERREGNUM: In Between States – PSi # 14 conference, University of Copenhagen 20-24 August 2008; paper at the SIBMAS Capturing the Essence of Performance conference, Glasgow 25-29 August 2008; paper at the Place, Writing and Voice conference, University of Plymouth 5-6 September 2008; presentation at the Maska 3-day event on archiving, reconstructing and artistic historization, Ljubljana 23-26 November 2008. Further information will be posted soon. CONFERENCE PRESENTATION: 'Un-wording: Performing Writing, Archiving Performing' Archive Fervour / Archive Further: Literature, Archives, and Literary Archives conference, Aberystwyth University 9-11 July 2008 [more information here] CONFERENCE PRESENTATION: 'Cyber/Stage - Constructing an Archive of Performance Art in Wales' New Platforms :: Convergence, CYFRWNG 2008 CONFERENCE, Aberystwyth University, National Library Of Wales, 1-2 May 2008 - [more information here] Llwyfannau Newydd :: Cydgyfeiriant, CYNHADLEDD CYFRWNG 2008, Prifysgol Aberystwyth, Llyfrgell Genedlaethol Cymru, 1-2 Mai 2008 - [myw of wybodaeth] PRESENTATION: What's Welsh for Performance? Beth yw 'performance' yn Gymraeg? Presentation to a group of international curators as part of a series of events accompanying Artes Mundi 3, Aberystwyth Arts Centre 22 April 2008. CONFERENCE PRESENTATION: Remembering Performance– An Oral History of Performance Art in Wales Oral History and Performance: OHMAR 2008 Spring Conference, Columbia University, New York; Saturday 15 March 2008, 9am- [more information here] PUBLIC LECTURE: What's Welsh for Performance? National Review of Live Art (New Moves International), Glasgow - Tramway 2 - 07 February 2008 20:00 - 21:00; Tickets 0845 330 3501 http://www.tramway.org/
INTERVIEW: On Performance Art in Wales Thursday 24 January 2008 - 18:32 Radio Wales Arts
Show PRESENTATION: ... repeat it, repeat it, repeat it until something new enters the world’ – Performance, Archive and the Future As part of the conference Prognoses on Movement(s)
(Prognosen über Bewegung(en)), an interdisciplinary conference
at the Berlin Free University’s Centre for Research on Movement,
1-2 December 2007. LECTURE: What's Welsh for Performance? - Constructing an Archive of Performance Art in Wales at the 'Performing the Archive: Works Past to Present' Research Event at University of Bristol, Department of Drama Launch of the three-year Great Western Research project, 'Performing the Archive: the Future of the Past', which is based in the University of Bristol Theatre Collection's Live Art Archives and Arnolfini Live's archives, partnered with Exeter University Department of Drama. Theatre, University of Bristol Department of Drama, Cantock's Close, 1 November, 5.15-7pm with Professor Mike Pearson, Performance Studies, Aberystwyth University, on 'The Brith Gof Archive Project' LECTURE: What's Welsh for Performance? - Constructing
an Archive of Performance Art in Wales Inaugural Lecture of the Cardiff School of Creative and Cultural Industries Research Seminar Series 2007/8, ARTriuM, University of Glamorgan, Cardiff, 17.10.07 PRESENTATION: An Oral History of Performance Art in Wales As part of the workshop on 'Staging, Exhibiting,
Curating', at the European Dramaturgy in the 21st Century conference,
Johann Wolfgang Goethe-Universität, Frankfurt am Main, 26 –
30 September 2007
LECTURE: What's Welsh for Performance? - Archiving Performance Art ("Walijskosc a performance? Archiwizujac sztuke performance") At the European Performance Art Festival EPAF Warsaw 2007, 7 September 2007. LECTURE: What's Welsh for Performance? - A performance archive At the symposium A Visual Arts Archive for Cardiff, Visual Arts Forum Cardiff, Chapter Arts Centre Cardiff - 25 June 2007 organised by Simon Fenoulhet on behalf of VAF. Other speakers: Simon Fenoulhet, Euryn Ogwen - Williams, Gary Malkin (Baltic). PRESENTATION: An Oral History of Performance Art in Wales At Placing (Oral) History, Department of Theatre, Film and Television Studies, University of Glasgow - 18 June 2007 Towards an Oral History of Performance and Live Art in the British Isles is a project that seeks to expand the documentation and archiving of Live Art and Performance in the British Isles from the 1960s onwards by developing and establishing an extensive oral history project over the next 5 years. An AHRC-funded network collaboration between the Department of Drama, University of Bristol, the British Library Sound Archive, University of the Arts, London, and the University of Glasgow, this first year functions as an exploratory period during which members of the steering group are hosting a series of working days throughout the British Isles in order to draw upon the expertise and skills of a range of regionally placed scholars, artists, curators and archivists working in the fields of Live Art and Performance. Sensitive to the politics of mapping and representing histories, we are keen to ensure that any oral history of performance and live art practice in the British Isles recognises local, national and cultural specificities, whether of practices, genealogies, debates or issues of access.
PRESENTATION: What's Welsh for Performance? - A performance archive At the First Symposium on Archive, Memory and Performance, hosted by the Centre for Performance Research, Aberystwyth 25-27 May 2007 "Richard Gough, Judie Christie, Adrian Kear, Michal Kobialka, Mike Pearson, Heike Roms, Rebecca Schneider and Diana Taylor met at the first research and development meeting for a major project on Archive, Memory and Performance." (CPR) PUBLIC LECTURE: What's Welsh for performance? Uncovering and archiving 40 years of Performance Art in Wales At Aberystwyth School of Art, University of Wales Aberystwyth - 2 May 2007 The Lunchtime Lecture Series is open to the public and all students and staff of the School of Art. Throughout the semester internationally acknowledged artists have been invited to give a lecture on their practice and current, past and future projects. [Adolygiad / Review - in Welsh] PRESENTATION: An Oral History of Performance Art in Wales At Curatorial Practices - From Live Art to the Archive at Institute for Advanced Studies, University of Bristol - 30 April 2007 Towards an Oral History of Performance and Live Art in the British Isles is a project that seeks to expand the documentation and archiving of Live Art and Performance in the British Isles from the 1960s onwards by developing and establishing an extensive oral history project over the next 5 years. A network collaboration between the Department of Drama, University of Bristol, the British Library Sound Archive, University of the Arts, London, and the University of Glasgow, this first year functions as an exploratory period during which members of the steering group are hosting a series of working days throughout the British Isles in order to draw upon the expertise and skills of a range of regionally placed scholars, artists, curators and archivists working in the fields of Live Art and Performance. The first of these days takes place at the University of Bristol with the kind support of the Institute of Advanced Studies, BIRTHA, and the AHRC.
PRESENTATION: Archiving Performance At the Department of Theatre, Film and Television Staff and Student Research Conference, University of Wales Aberystwyth - Gregynog 23-25 March 2007  PUBLIC
LECTURE: What's Welsh for Performance?
At Franklin Furnace, New York, 8 April 2006 as part of: TRACE: in New York, Franklin Furnace, Brooklyn, New York 7th April - 7th June 2006, An exhibition of work from the TRACE archive [2000-2005] [more information here] [review]
 PUBLIC
LECTURE: What's Welsh for Performance?
At Le Lieu, Québec, 12 September 2004 as part of: RHWNT - Québec-Wales Exchange (Rencontre Internationale d'Art Performance de Québec 2004) |
This talk introduces What’s Welsh for Performance? - Beth
yw ‘performance’ yn Gymraeg?, a research project devoted
to uncovering and archiving the history of performance art in Wales
between 1968 and 2008. The talk will consider the current ‘archive
fever’ in performance practice, scholarship and curatorship.
It will then focus on the two main strands of the Welsh performance
archive: an online searchable database (www.performance-wales.org)
and a publicly staged Oral History series. [
