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Shirley Cameron and Roland Miller,
A Celebration of Pre-Metrication,
Swansea 1979. © Cameron & Miller.
The development of the database has been made possible with a grant
from the SIR DAVID HUGHES PARRY AWARDS 2006.
Research Assistant on the Database: Daniel Ladnar, MA
Copyright
Images on this site are reproduced for the purposes of research
and study only. Whilst every effort has been made to trace the Copyright
holders, we would be grateful for any information concerning Copyright
of the images and we will withdraw them immediately on Copyright
holder's request.
Contact: mail@performance-wales.org

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What's Welsh for Performance? Database
The What's Welsh for Performance? Beth yw 'Performance'
yn Gymraeg? database is an online searchable
resource containing as complete a record as is possible of
performance art events in Wales from January 1965 to the present
day. It went online in the autumn of 2007, with a commitment
to continue archiving performance events in Wales into the foreseeable
future.
The database's remit covers performance art along with experimental
theatre and dance, installation art, sonic art and performance poetry
where these works display strong affinities with the aesthetics
of performance art. The database records all performance work that
has taken place within the geographic borders of Wales, including
performances made in Wales by artists from outside of Wales. The
intention is to map the formation of an artistic 'field' or 'scene'
as the result of artistic, cultural, social and environmental influences
from the outside as well as the inside.
Currently containing details of more than 1,800 events,
the database combines: a record of dates and venues, artists' accounts,
reviews, photographic records, oral histories and an index
of other available documentary materials (audio-visual documentation,
publications, ephemera, imagery or memory) and their locations.
The database is designed to permit online searches across all materials,
including the index of other resources. The index points users to
existing archives (including artists' own private collections) where
material on performance in Wales is currently held.
Collecting data for the Welsh for Performance?
database follows three principal approaches:
a) to make the record as COMPLETE as possible
the Welsh for Performance? Archive project undertakes extensive
‘field’ research, including interviews with practitioners
about their past work and archival research into all available extant
material and publications
b) to keep the record as CURRENT as possible
the Welsh for Performance? Archive project enters details
of all information received about forthcoming performance art events
in Wales - for example via e-mail listings such as the 2nd Wednesday
Group and standard mailing.
c) to make the database as CORRECT as possible
the Welsh for Performance? Archive project attempts to verify
and cross-reference all new entries and note additional information
as appropriate; misspellings are corrected. The main sources for
the content are listed to allow for verification.
Dr Heike Roms, Autumn 2007. mail@performance-wales.org
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